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Rob Tobin - Jo-Bri and the Two Worlds + Contest

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Jo-Bri and the Two Worlds
by Rob Tobin

Doing guest blogs is always an honor, and I thank Night Owl for letting me do so as part of a blog tour for my latest novel, an urban fantasy titled “Jo-Bri and the Two Worlds,” about a teen wizard from a parallel sword and sorcery world who is chased by an evil sorcerer into modern day Montana. I did several guest blogs for my previous novel, “God Wars: Living with Angels” and they were fun and thought provoking – at least they were for me. But “honor” is the word that best describes them, because a blogger is actually giving you control of their site and access to their audience and it’s a responsibility to be honored.

Part of the fun of doing a guest blog is picking the topic. With my own blog I feel no pressure, because it’s my blog, and my responsibility for what I say and the reaction I get (or don't get) from my audience. But I tend to be careful when choosing a topic for someone else’s audience. So let’s be cautious and conservative here and chose as safe a topic as I possibility can. Group sex in paranormal fiction. THAT ought to be safe, right?

When I wrote “God Wars,” I created a sex scene or two, but the emphasis was on action rather than sex, more “Transformers” kinda’ thing than, say, “Stranger in a Strange Land,” which is rife with not just sex, but an in-depth (excuse the pun) study of sex, morality, love, romance, lust and so forth. Well, when I wrote “Jo-Bri and the Two Worlds,” I was actually aiming to make it this generation’s “Stranger in a Strange Land” so of course I got into sex, sexuality, homosexuality, love, lust, romance, and, naturally, group sex. Oh – and magical sex too.

I didn’t do sex for sex sake, though. I really did use sex the way I would use any other tool in my story: to examine and reveal and develop the characters and plot and to say something important. I have a scene in “Jo-Bri” where two lovers – Jo-Bri the teen wizard and Melinda, the teen human he falls in love with, have sex in the shower. Nothing too shocking, until Jo-Bri mentally “opens the front door” as an affronted Melinda puts it, and invites in the “neighborhood.” The Neighborhood being the others members of Jo-Bri’s new coven, his rookie witches whom he’s training in an attempt to be ready to battle the bad guy, Hodon.

So the first instance of “group sex” occurs telepathically only, all the members of the coven being present mentally in the shower and telepathically sharing the pleasure, vulnerability and intimacy of the physical act that takes place between Jo-Bri and Melinda. There then follows a second act of group sex in which two of the other female witches physically join Jo-Bri and Melinda in bed.

Now of course there is some commercial consideration to writing these kinds of scenes, just as “Bay Watch” used sex to sell it’s product and entices an audience to watch. However my main reason was to really examine sex as an expression of love, but not just any love – true love. Of course there have been endless definitions of “love” so I had to pick one – or make one up.

I chose to define love this way: recognizing God – in yourself and others. Just as God is the ultimate entity, the ultimate reality, so too then, love becomes the ultimate act, the holiest act, which transcends mere sex and yet is expressed through sex – sometimes. Sex therefore doesn’t define love, but rather simply channels it – as do many other actions, which explains why there seems to be different kinds of love: romantic love, filial love, maternal and paternal love, the love of friendship, etc. In fact there is only one type of love: recognition of God, and that one type of love is expressed in a multitude of ways.

So when Jo-Bri and Melinda and their friends and fellow witches engage in what is usually regarded as a “kinky” act -- group sex, they are rather simply practicing love, group love, the recognition of God in more than one person at one time, and channeled through the act of sex. That same group love occurs throughout the novel, in fact, non-sexually, through the acts of friendship between Jo-Bri and his neophyte students of magic, in the acts of courage they perform to protect each other, and even toward their enemy Hodon, when they decide that though they may have to battle him, they still need to recognize the God in him – even him.

It’s a fine line, of course, just as it was in the Heinlein’s brilliant “Stranger in a Strange Land,” balancing titillation with theological discourse. But it was, at least for me, a line worth walking. I hope you get a chance to read “Jo-Bri and the Two Worlds” and let me know if you think I walked that line successfully.

ABOUT THE AUTHOR

Rob is a screenwriter, script doctor and script consultant, novelist, author of two seminal books on screenwriting, guest speaker at film festivals and writing conferences, and a graduate of USC’s prestigious Master of Professional Writing program.

He has a $15 million feature film (“Dam 999”) in post production, a $40 million feature (“Camel Wars”) in development with legendary filmmaker John McTiernan (“Die Hard”) attached to direct, a novel (“God Wars”) scheduled to be published in early 2011, and two published non-fiction books. Creative Screenwriting Magazine recently produced two of Rob’s instructional screenwriting DVDs.

Rob is a former book editor, motion picture development executive, and VP of the country’s largest private screenwriting school. As a story analyst, he read 5,000+ screenplays for Goldwyn, Spelling, TriStar, HBO, et al. He helped establish a feature film department for Stephen J. Cannell (“The A-Team,” “Hunter,” “The Commish”) and has been acknowledged by many as one of the film industry’s leading experts on story structure. http://www.robtobinwriting.com

Jo-Bri and the Two Worlds on Amazon


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Sheryl Steines - The Strong Female + Contest

Enter to win one of 3 eBook copies of The Day of First Sun!

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The Strong Female
by Sheryl Steines

I am always amazed in the year 2012 woman are still talking about strong female characters. It’s funny that we’re always surprised when one comes along. Even in Hollywood, actresses still can’t find the roles they can sink their teeth into. As a reader, I look for characters that I can relate to in some way; a character who is more than a damsel in distress but less than an unfeeling, mean, witch. I’m putting it gently, but I’m looking for someone, who when facing a problem, doesn’t necessarily need a man to bail her out, but a woman who can take care of herself in spite of her vulnerabilities. Because in reality, women are multi-layered and complex. We don’t fall into one end of an extreme.

When I was younger I read Danielle Steele, but I didn’t read her for long because even in my young girl opinion, I felt her female characters were far too needy and always put themselves in a position of needing to be saved. I kept wondering why these characters always needed a man to improve their lives. Why couldn’t they simply take care of themselves? It seemed as though female characters were villains, or the witch, someone to be hated and despised, or weak and needed to be saved. Why couldn’t I just find a real woman, who could simply be human and celebrate all that she was?

As I got older, I found myself drawn to shows like Buffy the Vampire Slayer. I saw in her a strong character. Yes she could kick ass, kill the vampires and fight the demons. She also had a brain, could plan, and could save the world each week. But she had a second side of herself, the side that liked clothes, shoes and boys, the side that was feminine, a little vulnerable; the side that sometimes needed to be saved. She was a complex female character, real and human, a character who at times I could relate to.

The strong female character isn’t found in one extreme. She’s not a total wimp like Snow White and she’s not a total monster like the evil queen. She’s a combination somewhere in the middle. She’s reactive, emotional, human, sexual, confident and sometimes, even unsure of herself.

When I originally wrote my character Annie Pearce in The Day of First Sun, I wrote her as a no nonsense person, strong and smart, the girl who could survive on her own. But she didn’t feel genuine. As the story unfolded and changed, I rewrote her, gave her friends and family in which to interact. I gave her feelings, gave her stress. I let the other characters take charge once in awhile, offer her support. I melded two halves into one woman, a strong woman, who can take care of herself and ask for help when necessary. We’re not perfect, so why should our characters be? Why can’t we strive to have them simply authentic?

Charlize Theron commented on her new character in the movie Young Adult. She said, "Women are usually either really good prostitutes or really good mothers. Maybe women are finally getting the chance to play more honest characters," Theron said. "We usually don't get to play bad hookers or bad mothers -- or anything in between."

Maybe it’s time to be a little more real and a little more honest.

ABOUT THE AUTHOR

Sheryl Steines’ mind is chaotic and surprising and it shows in her writing. Never one to sit back and see what may come, Sheryl is driven to write everyday. Somehow, amidst the chaos, she finds the time to volunteer and give talks to book clubs and students about her writing. She even walked the Avon Breast Cancer walk two years in a row.

Sheryl’s series Annie Loves Cham is full of surprises and mystery. Refusing to be restricted by genre Sheryl has taken the characters she loves and set them in new situations which test them and their friendships. The second book in the series is set to release in late summer 2012.

http://www.sherylsteines.com

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Karen A. Wyle - Why I Love Reading and Writing Science Fiction + Contest

Enter to win one of three eBook copies of Twin-Bred!

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Why I Love Reading and Writing Science Fiction
by Karen A. Wyle

I'll start with a caveat. I do not always write science fiction. For many otherwise fallow years, I wrote picture book manuscripts. More recently, between my current release and the sequel (still in rough draft), I wrote what I suppose is general fiction, if a novel in that category can take place in my fanciful notion of an afterlife.

That said, I am proud to write science fiction.

I don't remember when I started reading science fiction, but I'd guess I was around ten or eleven. I have been reading it ever since. The day I met my husband, twenty-five years ago, we talked for two hours about Robert A. Heinlein and assorted other SF authors. As you might suppose, our marriage exposed me to even more of the genre.

How do I love science fiction? Let me count the ways. . . .

Science fiction explores how human beings – whether acknowledged as such, or in any of innumerable disguises – react to the unexpected. How do they – how would we – cope with the fulfillment of anything from dream to nightmare? How will the future we anticipate surprise us? How will we surprise ourselves when we confront it?

Science fiction's imaginative settings allow us to examine familiar themes and problems with a fresh eye. (Star Trek, despite its flaws, was often excellent at using the trappings of science fiction to explore issues like racism, war and peace, patriotism, gender identity, ambition, love versus career, et cetera.) I am a lawyer; I am writing a series of short stories which will eventually include legal issues raised by certain future technologies. I have long been fascinated by twins: my novel Twin-Bred features fraternal twins (carried by host mothers) belonging to different species. I have been deeply interested in parenthood since becoming a mother: I can create aliens for whom parenthood is in many ways different, and in some fundamental ways the same.

Science fiction paves the way. Its authors, often scientists themselves, extrapolate from current technology and knowledge, and make educated guesses about what we will be able to invent. Often they guess correctly. It might be easier to identify the scientific advances of the last sixty years that were not predicted in science fiction than to list those that were. By working within the constraints of scientific theory, science fiction honors those who have spent their lives helping us understand our universe (and any meta-universe which may include it).

Finally, science fiction gives the would-be builder of worlds a place to play. While fantasy does the same, science fiction imposes certain constraints – and as many a poet would testify, some constraints can actually spur creativity. At any rate, I find satisfaction in knowing that what I have imagined, or what another author lays before me, could possibly exist. Science fiction authors differ in how hard they strive to ensure that the physical features of their planets, aliens, and technologies fit within our current scientific theories (or at least, scientific hypotheses held by at least one adventurous scientist out there). No scientist myself, I still try fairly hard. I use my husband, whose scientific knowledge runs broad and deep, as my technical adviser – but if I really want to make the sky green, or put multiple sails on the sailboat, or whatever, and he is skeptical, I just keep researching until (with luck) I find some more or less plausible basis to do so. On the other hand, unlike historical fiction, where the possibility of error lurks behind every detail, the amount of research need not be too intimidating.

I'd love to see comments about what visitors to this blog like most about science fiction -- or about any problems they have with the genre.

PURCHASE A COPY OF TWIN-BRED

ABOUT THE AUTHOR

I'm an appellate attorney, photographer, political junkie, and mother of two daughters, living in a county outside a town in Indiana.

I am a lifelong reader, and somewhat more recently, an author. I write science fiction, general fiction, and picture books -- so far. I read science fiction, historical fiction, courtroom drama, biography, history, 18th and 19th century English classics, mysteries, YA, and once in a while a bit of fantasy.

I don't read self-help books -- except about writing and publishing.

http://www.karenawyle.net

NOR AUTHOR PAGE FOR KAREN A. WYLE

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Leslie Tentler - When the Investigation Becomes Personal + Contest

Enter to win a print or eBook copy of Edge of Midnight!

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When the Investigation Becomes Personal
by Leslie Tentler

It’s true that FBI agents are especially committed to their jobs. They have to be. And while many do still make time for a family and personal life, others can become married to their careers, forsaking all others to serve and protect. In EDGE OF MIDNIGHT, this is especially true of special agent Eric Macfarlane, who works for the FBI’s high-pressure Violent Crimes Unit.

It’s the VCU that’s called in by local law enforcement on the grimmest cases – serial murders, in particular.

Eric knows this danger better than most, as an especially elusive serial killer took someone important to him, then vanished into thin air. Three years later, he still unofficially hunts the killer known as “The Collector.” It’s become an obsession, as well as a seemingly hopeless pursuit until a female turns up several states away, drugged, her memory wiped...a likely near-victim of the same psychopath.

And Eric? He isn’t your typical FBI agent. In fact, his considerable connections within the U.S. Department of Justice allow him to be placed on the case despite his very deep, personal involvement. He believes he’ll do anything to find and stop The Collector. But the one thing he doesn’t count on is how hard his protective instincts kick in when he comes face to face with the killer’s lone survivor.

In the excerpt below, you’ll meet Eric, who has just arrived in town to pick up on a trail that went dead three years ago...

What about you? Do you read serial killer, someone-in-peril type stories?

ABOUT EDGE OF MIDNIGHT

The collection isn't complete without her...

The writer becomes the story when crime reporter Mia Hale is discovered on a Jacksonville beach – bloodied and disoriented, but alive. She remembers nothing, but her wounds bear the signature of a sadistic serial killer. After years lying dormant, The Collector has resumed his grim hobby: abducting women and taking gruesome souvenirs before dumping their bodies. But none of his victims has ever escaped – and he wants Mia back, more than he ever wanted any of the others.

FBI agent Eric Macfarlane has pursued The Collector for a long time. The case runs deep in his veins, bordering on obsession...and Mia holds the key. She’ll risk everything to recover her memory and bring the madman to justice, and Eric swears to protect this fierce, fragile survivor. But The Collector will not be denied. In his mind, he knows just how their story ends.

EXCERPT

FBI special agent Eric Macfarlane faced the cluster of oak trees, his suit coat discarded on warm, pale sand. His eyes were closed, the strong ocean breeze ruffling his light brown hair, and the sun’s heat was like a brand on his back through his blue dress shirt. Seagulls cawed in the air overhead.

He tried to imagine what it felt like to crash on an isolated beach road, in a strange car and with lost hours that couldn’t be accounted for.

Eric had gone through the Atlantic Beach Police incident report multiple times – in his office yesterday at the FBI’s Violent Crimes Unit in Washington, D.C., then again on the plane bound for the Jacksonville International Airport early that morning.

Despite the warmth of the Florida climate, even now the similarities contained in the document made a chill crawl beneath his skin.

If it was him, if he had finally resurfaced...

The thought caused his emotions to skitter like stones skipped on water.

“Eric.”

He turned to see Florida Bureau agent Cameron Vartran walking toward him, looking as out of place in suit pants, tie and a dress shirt on the beach as Eric did himself.

“I thought I might find you here,” Cameron said as he approached. Dark-haired, grinning, he shook Eric’s hand warmly, then gave him a congenial back slap that denoted familiarity between the two men.

“Your investigative skills are that good?” Eric asked.

“That and the field office told me you’d checked in and asked about the crash site.” Eric and Cameron had known one another for years. They had gone through training together at the FBI academy in Quantico, then been partnered as agents for a time before Cameron had transferred back to his native Florida and Eric had joined the VCU.

“How’s Lanie?” Eric asked.

“Pregnant.”

He raised his eyebrows. “Really? Congratulations.”

“She can’t wait to see you. It’s been way too long.” Standing with his dress shoes planted in sand, Cameron wedged his hands on his hips just above his holstered gun. As he looked at Eric, his expression faded into seriousness. “When the match came up in ViCAP, I felt like you’d want to know.”

Eric nodded, peering off briefly into the distance. “So how did this end up with the Florida Bureau?”

“Some of the local beach communities have their own police forces, but they’re small and not equipped for major crimes. So the report was passed to the Jacksonville Sheriff’s Office as a possible tie-in to two other missing females in the metro area over the past two weeks. The JSO called us in for assistance. I called you.”

“Have either of the two other women shown up?”

Cameron shook his head. “Alive or otherwise. It’s suspected Ms. Hale was the intended third victim, but somehow managed to escape her abductor.”

“In a stolen vehicle and without any memory of her ordeal.”

“Right. Her toxicology results just came back, confirming a combination of rohypnol and gamma hydroxy butyramine – the date rape drug and liquid Ecstasy – which explains the severe memory loss. The attending physician classified her as having complete anterograde amnesia.”

Eric thought of the victim’s wounds that had been detailed in the report – the second and third fingernails on her left hand excised, a section of her hair cut off, and the numeral that had been carved into her skin. It seemed too precise to be coincidental. He felt a spiraling disquiet. The Collector had been off the VCU’s radar for thirty-four months now, creating internal speculation that he was either dead or incarcerated somewhere on unrelated charges.

Eric had never been able to accept that.

“Damn, it’s hot.” Squinting against the light, Cameron removed the sunglasses clipped to his shirt pocket and slid them on. “Maybe we can grab a quick bite to eat and catch up before the briefing with the JSO detectives at one. There’s a great seafood place down the road from here. Only the locals know about it.”

They began walking across the sand, and Eric bent to retrieve his suit coat, slinging it over his shoulder. As Cameron talked, he gazed back toward the water. Although the beach here wasn’t as commercialized, he noticed there were still a few people strolling along the shore. The ocean appeared calm under an azure sky and farther out, the grayish outline of Naval ships floated on the horizon.

“So Mia Hale – she’s a reporter for the Jacksonville Courier?” Eric said as they came down the planked stairs that led back to the road. The information was still surprising.

Cameron nodded. “A crime reporter. She’d been covering the missing females – both assumed abductions since the women’s families are adamant they aren’t the type to just disappear. Ms. Hale’s last story ran on Monday morning, and she vanished that same night out of the newspaper’s parking garage. The beach police found her hiding here some eight hours later, stripped to her underwear and in pretty bad shape. My guess is that her articles got someone’s attention.”

“What about the vehicle? Any leads from it?”

“The Sheriff’s Office processed it. Forensics on the car is expected back this afternoon. Ms. Hale doesn’t recall how she got in possession of it or even what area she drove it from. The vehicle was reported stolen a couple of days earlier from an outlet shopping mall popular with tourists. The mall’s on the other side of the city.”

A few dozen feet away, a wide section of fencing that cordoned off the dunes was missing, its wooden stakes scattered like broken matchsticks between clumps of brown sea oats. It was all that was left of the crash scene. Eric studied the area.

“I’m going to want to talk to Ms. Hale.”

“She was released from the hospital yesterday. We can schedule some time with her.”

The government-issued vehicle the other agent drove was parked behind Eric’s rental sedan on the A1A’s sandy shoulder. Cameron provided directions to the nearby restaurant, then removed his sunglasses again. Concern was evident in his eyes. “The truth is, I wasn’t sure the VCU would want you involved, Eric, considering.”

He thought of Rebecca. Her image, her voice, had faded a little in his memory, the realization tightening his jaw. The last time Eric had seen Cameron and Lanie, they’d flown in for the funeral. That had been nearly three years ago.

“I pulled a few strings,” he admitted.

“I bet. And you came down here without a partner?”

“Resources are limited. I told them I’d be better off working with my old one down here.”

“The timing works. My partner tore his ACL. He’s out on leave.” Cameron appeared to choose his next words carefully. “If this really is the guy...are you going to be able to handle it?”

Eric specialized in serial murderers at the VCU. He was all too aware that unsubs had relocated in the past, had gone into hiding to evade capture. But ultimately, their innate desires drove them to hunt again.

“I want closure,” he said simply.

Cameron sighed as he gazed at a passing car on the highway. “I know you do.”

Text Copyright © 2012 by Leslie Tentler

Permission to reproduce text granted by Harlequin Books S.A.

ABOUT THE AUTHOR

Leslie Tentler worked in public relations as a writer and editor for nearly two decades before deciding to pursue her love of writing fiction. Her first manuscript won multiple Romance Writers of America chapter contest awards, including the prestigious Maggie Award of Excellence.

Leslie is a native of Kingsport, Tennessee. Growing up, she was an avid reader, first of Nancy Drew novels and then surreptitiously devouring her mother’s historical romances at probably too young an age. As she got older, her reading interests moved to dark, contemporary romantic thrillers, which she writes today.

Leslie is a member of Romance Writers of America, International Thriller Writers, The Authors Guild, and Mystery Writers of America. Her books include Midnight Caller, Midnight Fear and Edge of Midnight (all from MIRA Books). She lives in Atlanta with her husband, Robert, and their standard poodle, Tori.


Website: http://www.LeslieTentler.com
Facebook: http://www.facebook.com/leslietentler
Twitter: http://twitter.com/#!/leslie_tentler

Midnight Caller at Amazon
Midnight Fear at Amazon
Edge of Midnight at Amazon


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Patricia Briggs - Fair Game Excerpt + Contest

Enter to Win a Signed Copy of On the Prowl.
Click this link to enter, plus leave a comment on this post.


***
FAIR GAME - FIRST CHAPTER EXCERPT
by Patricia Briggs

Aspen Creek, Montana

“Go home,” Bran Cornick growled at Anna.

No one who saw him like this would ever forget what lurked behind the Marrok’s mild-mannered facade. But only people who were stupid—or desperate—would risk raising his ire to reveal the monster behind the nice-guy mask. Anna was desperate.

“When you tell me you will quit calling on my husband to kill people,” Anna told him doggedly. She didn’t yell, she didn’t shout, but she wasn’t going to give up easily.

Clearly, she’d finally pushed him out to the very narrow edges of his last shred of civilized behavior. He closed his eyes, turned his head away from her, and said, in a very gentle voice, “Anna. Go home and cool off.” Go home until he cooled off was what he meant. Bran was Anna’s father-in-law, her Alpha, and also the Marrok who ruled all the werewolf packs in his part of the world by the sheer force of his will.

“Bran—”

His power unleashed with his temper, and the five other wolves not counting Anna who were in the living room of his house dropped to the floor including his mate. Their heads were bowed and tipped slightly to the side to expose their necks.

Though he made no outward move, the speed of their surrender testified to Bran’s anger and his dominance—and only Anna, somewhat to her surprise at her own temerity, stayed on her feet. When Anna had first come to Aspen Creek, beaten and abused as she’d been, if anyone had yelled at her, she’d have hid in a corner and not come out for a week.

She met Bran’s eyes and bared her teeth at him as the wave of his power brushed past her like a spring breeze. Not that she wasn’t properly terrified, but not of Bran. Bran, she knew, would not really hurt her if he could help it, no matter what her hindbrain tried to tell her.

She was terrified for her mate. “You are wrong,” Anna told him. “Wrong. Wrong. Wrong. And you are determined not to see it until he is broken beyond repair.”

“Grow up, little girl,” Bran snarled, and now his eyes—bright gold leaching out his usual hazel—were focused on her instead of the fireplace in the wall. “Life isn’t a bed of roses and people have to do hard jobs. You knew what Charles was when you married him and when you took him as your mate.”

He was trying to make this about her, because then he wouldn’t have to listen to her. He couldn’t be that blind, just too stubborn. So his attempt to alter the argument—when there should be no argument at all—enraged her.

“Someone in here is acting like a child, and it isn’t me,” she growled right back at him.

Bran’s return snarl was wordless.

“Anna, shut up,” Tag whispered urgently, his big body limp on the floor where his orange dreadlocks clashed with the maroon of the Persian rug. He was her friend and she trusted the berserker’s judgment on most things. Under other circumstances she’d have listened to him, but right now she had Bran so angry he couldn’t speak—so she could get a few words in past his stubborn, inflexible mind.

“I know my mate,” she told her father by marriage. “Better than you do. He will break before he disappoints you or fails to do his duty. You have to stop this because he can’t.”

When Bran spoke, his voice was a toneless whisper. “My son will not bend or break. He has done his job for a century before you were even born, and he’ll be doing it a century from now.”

“His job was to dispense justice,” she said. “Even if it meant killing people, he could do it. Now he is merely an assassin. His prey cling to his feet repentant and redeemable. They weep and beg for mercy that he can’t give. It is breaking him,” she said starkly. “And I’m the only one who sees it.”

Bran flinched. And for the first time, she realized that Charles wasn’t the only one suffering under the new, harsher rules the werewolves had to live by.

“Desperate times,” he said grimly, and Anna hoped that she’d broken through. But he shook off the momentary softness and said, “Charles is stronger than you give him credit for. You are a stupid little girl who doesn’t know as much as she thinks she does. Go home before I do something I’ll regret later. Please.”

It was that brief break that told her this was useless. He did know. He did understand, and he was hoping against hope that Charles could hold out. Her anger fled and left . . . despair.

She met her Alpha’s eyes for a long moment before acknowledging her failure.

Anna knew exactly when Charles drove up, newly returned from Minnesota where he’d gone to take care of a problem the Minnesota pack leader would not. If she’d been deaf to the sound of the truck or the front door, she’d have known Charles was home by the magic that tied wolf to mate. That was all the bond told her outright, though—his side of their bond was as opaque as he could manage, and that told her a whole lot more about his state of mind than he probably intended.

From the way he let nothing leak through to her, she knew it had been another bad trip, one that had left too many people dead, probably people he hadn’t wanted to kill.

Lately, they had all been bad trips.

At first she’d been able to help, but when the rules changed, when the werewolves had admitted their existence to the rest of the world, the new public scrutiny meant that second chances for the wolves who broke Bran’s laws were offered only in extraordinary circumstances. She’d kept going with him on these trips because she refused to let Charles suffer alone. But when Anna started having nightmares about the man who’d fallen to his knees in front of her in mute entreaty before his execution, Charles had quit letting her go.

She was strong-willed and she liked to think of herself as tough. She could have made him change his mind or followed him anyway. But Anna hadn’t fought his edict because she realized she was only making his job harder to bear. He saw himself as a monster and couldn’t believe she didn’t also when she witnessed the death he brought.

So Charles went out hunting alone—as he had for a hundred years or more, just as his father had said. His hunt was always successful—and, at the same time, a failure. He was dominant; he had a compulsory need to protect the weak, including, paradoxically, the wolves he was there to kill. When the wolves he executed died, so did a part of Charles.

Before Bran had brought them out to the public, the new wolves, those who had been Changed for less than ten years, would have been given several chances if their transgression came from loss of control. Conditions could have been taken into account that would lessen the punishment of others. But the public knew about them now, and they couldn’t allow everyone to know just how dangerous werewolves really were.

It was up to the pack Alpha to take care of dispensing commonplace justice. Previously, Charles had only had to go out a few times a year to take care of bigger or more unusual problems. But many of the Alphas were unhappy with the new harshness of the laws, and somehow more and more of the enforcement fell to Bran and thus to Charles. He was going out two or three times a month and it was wearing on him.

She could feel him standing just inside the house, so she put a little more passion into her music, calling him to her with the sweet-voiced cello that had been his first Christmas gift to her.

If she went upstairs, he’d greet her gravely, tell her he had to go talk to his father and leave. He’d come back in a day or so after running as a wolf in the mountains. But Charles never quite came back all the way anymore.

It had been a month since he’d last touched her. Six weeks and four days since he’d made love to her, not since they’d come back from the last trip she’d accompanied him on. She’d have said that to Bran if he hadn’t made that “Grow up, little girl” comment. Probably she should have told Bran anyway, but she’d given up making him see reason.

She’d decided to try something else.

She stayed in the music room Charles had built in the basement while he stood upstairs. Instead of words, she let her cello speak for her. Rich and true, the notes slid from her bow and up the stairway. After a moment she heard the stairs squeak a little under the weight of his feet and let out a breath of relief. Music was something they shared.

Her fingers sang to him, coaxing him to her, but he stopped in the doorway. She could feel his eyes on her, but he didn’t say anything.

Anna knew that when playing on her cello, her face was peaceful and distant—a product of much coaching from an early teacher who told her that biting her lip and grimacing was a dead giveaway to any judge that she was having trouble. Her features weren’t regular enough for true beauty, but she wasn’t ugly, either, and today she’d used some makeup tricks that softened her freckles and emphasized her eyes.

She glanced at him briefly. His Salish heritage gave him lovely dark skin and exotic (to her) features, his father’s Welsh blood apparent only in subtle ways: the shape of his mouth, the angle of his chin. It was his job, not his lineage, that froze his features into an unemotional mask and left his eyes cold and hard. His duties had eaten away at him until he was nothing but muscle, bone, and tension.

Anna’s fingers touched the strings and rocked, softening the cello’s song with a vibrato on the longer notes. She’d begun with a bit of Pachelbel’s Canon in D, which she generally used as a warm-up or when she wasn’t sure what she wanted to play. She considered moving to something more challenging, but she was too distracted by Charles. Besides, she wasn’t trying to impress him, but to seduce him into letting her help. So, Anna needed a song that she could play while thinking of Charles.

If she couldn’t get Bran to quit sending her mate out to kill, maybe she could get Charles to let her help with the aftermath. It might buy him a little time until she could find the right baseball bat—or rolling pin—to beat some clarity into his father’s head.

She deserted Pachelbel for an improvised bridge that shifted the key from D to G and then let her music flow into the prelude of Bach’s Cello Suite No. 1. Not that that music was easy, but it had been her high school concert piece so she could practically play it in her sleep.

Her fingers moving, she didn’t allow herself to look at him again, no matter how hungry she was for the sight of him. She stared at an oil painting of a sleeping bobcat while Charles stood at the door and watched her. If she could get him to approach her, to quit trying to protect her from his job . . .

And then she screwed up.

She was an Omega wolf. That meant that not only was she the only person on the continent whose wolf would allow her to face down the Marrok when he was in a rage, but also that she had a magical talent for soothing wolfish tempers regardless of whether or not they wanted to be soothed. It felt wrong to impose her will on others, and she tried not to do it unless the need was dire. Over the past few years, Anna had learned when and how to best use her ability. But her need to see Charles happy slipped over the barrier of her hard-won control as if it wasn’t there at all.

One moment she was playing to him with her whole self, focused solely on him—and the next her wolf reached out and calmed Charles’s wolf, sent him to sleep, leaving only his human half behind . . . Charles turned and walked purposefully away from her without a word. He, who ran from nothing and no one, exited their house by the back door.

Anna set down her bow and returned her cello to its stand. He wouldn’t come back for hours now, maybe not even for a couple of days. Music hadn’t worked if the only thing holding Charles in its spell was his wolf.

She left the house, too. The need to do something was so strong it had her moving without a real destination. It was that or cry, and she refused to cry. Maybe she could go to Bran one more time. But when the turnoff for his house appeared, she drove past it.

Like as not Charles was headed to Bran’s to tell his father what he’d done for the wolves of the world—and it would be . . . awkward to follow him, as if she were chasing him. Besides, she’d already talked to Bran. He knew what was happening to his son; she knew he did. But, like Charles, he weighed the lives of all of their kind against the possibility that Charles would break under the strain of what was necessary, and thought the risk acceptable.

So Anna drove through town, arriving at a large greenhouse in the woods on the other side. She pulled over and parked next to a battered Willys Jeep and went in search of help.

A lot of wolves called him the Moor—which he disliked, saying that it was a vampire kind of thing to do, take a part of who a person was and reduce him to it with a capital letter or two. His features and skin showed traces of Arabia by way of North Africa, but Anna agreed that certainly wasn’t the sum total of who he was. He was very beautiful, very old, extremely deadly—and right now he was transplanting geraniums.

“Asil,” she began.

“Hush,” he said. “Don’t disturb my plants with your troubles until they are safe in their new houses. Make yourself useful and deadhead the roses along the wall.”

She snagged a basket and started picking dead flowers off Asil’s rosebushes. There would be no talking to him until he’d accomplished what he intended, whether that was to calm her down before they talked, get some free labor, or merely keep the silence while he tended his plants. Knowing Asil, it could be all three.

She worked for about ten minutes before she got impatient and reached for a rosebud, knowing that he always kept an eye on anyone working with his precious flowers.

“Remember the story of Beauty and the Beast?” remarked Asil gently. “Go ahead. Take that little bloom. See what happens.”

“‘Beauty and the Beast’ is a French fairy tale and you are a mere Spaniard,” Anna told him, but she took her fingers off the bud. Beauty’s father had stolen a flower at great cost. “And in no way are you an enchanted prince.”

He dusted off his hands and turned to her, smiling a little. “Actually I am. For some definitions of ‘prince.’”

“Hah,” said Anna. “Poor Belle would find herself kissing your handsome face and then, poof, there would be the frog.”

“I think you are mixing your fairy tales,” Asil told her. “But even as a frog I would not disappoint. You came to talk fairy tales, querida?”

“No.” She sighed, hopping up to sit on a convenient flat table next to a bunch of small pots that held a single pea-sized leaf each. “I’m here to get advice about beasts. Specifically, information about the beast who rules us all. Naturally I sought you out. Bran has to quit sending Charles out to kill. It is destroying him.”

He sat on the table opposite hers and looked at her with the space of the narrow aisle between them. “You do know that Charles lived nearly two hundred years without you to take care of him, yes? He is not a fragile rosebud who needs your tender touch to survive.”

“He’s not a killer, either,” Anna snapped.

“I beg to differ.” Asil spread his hands peaceably when she snarled at him. “The results speak for themselves. I doubt that there are any other wolves with so many werewolf kills under their belt outside of present company.” He indicated himself with a modest air that was a tribute to his acting skills, since he didn’t have a modest bone in his body.

Anna shook her head at him, her hands curling into fists of frustration. “He isn’t. Killing hurts him. But he sees it as necessary-”

“Which it is,” murmured Asil, clearly patronizing her.

“Fine,” she agreed sharply, hearing the growl in her voice but unable to keep it down. Failing so spectacularly with Bran had taught her she needed to keep her own temper in check if she wanted to convince old dominant wolves of anything. “I know that it is necessary. Of course it is necessary. Charles wouldn’t kill anyone if he didn’t see that it was necessary. And Charles is the only one dominant enough to do the job who is also not an Alpha, since that would cause trouble with the Alpha of the territories he must enter. Fine. It doesn’t mean that he can continue like this. Necessary does not mean possible.”

Asil sighed. “Women.” He sighed again, theatrically. “Peace, child. I do understand. You are Omega and Omegas are worse than Alphas about protecting their mates. But your mate is very strong.” He grimaced as he said it, as if tasting something bitter. Anna knew that he didn’t always get along with Charles, but dominant wolves often had that problem with one another. “You just have to have a little faith in him.”

Anna met his gaze and held it. “He doesn’t bring me with him anymore when he goes. When he came home this afternoon, I used my magic to send his wolf to sleep, and as soon as the wolf was quiet he left without a word.”

“You expected living with a werewolf to be easy?” Asil frowned at her. “You can’t fix everyone. I told you that. Being Omega doesn’t make you Allah.” Asil’s long-dead mate had been an Omega. Asil had taught Anna all that she knew about it, which he seemed to believe gave him some sort of in loco parentis status. Or maybe he just patronized everyone. “Omega doesn’t mean power without end. Charles is a stone-cold killer—ask him yourself. And you knew it when you married him. You should quit worrying about him and start worrying about how you are going to deal with accepting the situation you got yourself into.”

Anna stared at him. She knew that he and Charles weren’t bosom buddies or anything. She hadn’t realized that he didn’t know Charles at all, that Asil saw only the front he put on for everyone else.

Asil had been her last, forlorn hope. Anna levered herself off the table. She turned her back on Asil and strode to the door, feeling the heavy weight of despair. She didn’t know how to make him, to make Bran, see how bad things were. Bran was the one who counted. Only he could keep Charles home. She had failed to persuade her father-in-law. She’d been hoping that Asil might help.

It was still light out and would be for a few more hours, but the air was already stirring with the weight of the waxing moon. She held the door open and turned back to Asil. “You are all wrong about him. You and Bran and everyone else. He is strong, but no one is that strong. He hasn’t picked up an instrument, hasn’t even sung a note for months.”

Asil’s head came up and he stared at her a moment, proving that he knew something about her husband after all.

“Perhaps,” he said slowly with a frown, rising to his feet. “Perhaps you are right. His father and I should speak.”

Asil let himself into the Marrok’s house without knocking. Bran had never objected, and another wolf might think he just never noticed. Asil knew that Bran noticed everything and had chosen to allow Asil’s subtle defiance for his own reasons. And that was almost enough to make Asil knock on the door and wait for an invitation to enter. Almost.

Leah was on the living room couch, watching something on the big TV. She looked up as he passed by and didn’t bother smiling, while a woman screamed shrilly from the surround-sound speakers. When Asil had come to Montana, Leah’d flirted with him—his Alpha’s mate, who should know better. He’d allowed her the first one, but the second time he’d taught her not to play her games with him.

So she sat on the couch, glanced up at him and then away, as if he bored her. But they both knew that he scared her. Asil was slightly ashamed of that, only because he knew his mate, dead but still beloved, would be disappointed in him. Teaching Leah to be afraid of him had been easier and more satisfactory than just letting her know that her flirtations were unwelcome and would not gain her whatever it was that she wished.

Had he not expected the Marrok to execute him in short order—which was the reason he’d come to the Montana pack—he might not have done such a thorough job of it. But he was not unhappy that Leah ignored him as much as possible—and less unhappy that the Marrok would not kill him than he had expected to be. Asil found that life still had the power to surprise him, so he was willing to stick around for a little while longer.

He followed the sound of quiet voices to the Marrok’s study, pausing in the hallway to wait when he realized it was Charles, himself, talking to his father. Had it been anyone else, he’d have intruded, expecting the lesser wolf—and they were all lesser wolves—to give way.

Asil frowned, trying to decide if what he had to say would play better with Charles in the room or not. Strategy would be important. A dominant wolf, such as he or Bran, could not be compelled, only persuaded.

In the end he decided on a private talk and continued on to the library where he found a copy of Ivanhoe and reread the first few chapters.

“Romantic claptrap,” said Bran from the doorway. Doubtless he’d scented Asil as soon as Asil had walked by the study earlier. “As well as historically full of holes.”

“Is there something wrong with that?” asked Asil. “Romance is good for the soul. Heroic deeds, sacrifice, and hope.” He paused. “The need for two dissimilar people to become one. Scott wasn’t trying for historical accuracy.”

“Good thing,” grunted Bran, sitting down on the chair opposite the love seat Asil had claimed. “Because he didn’t manage it.”

Asil went back to reading his book. It was an interrogation technique he’d seen Bran use a lot and he figured the old wolf would recognize it.

Bran snorted in amusement and gave in by beginning the conversation. “So what brings you out here this afternoon? I trust it wasn’t a sudden desire to read Sir Walter’s dashing romance.”

Asil closed the book and gave his Alpha a look under his lashes. “No. But it is about romance, sacrifice, and hope.”

Bran threw his head back and groaned. “You’ve been talking to Anna. If I’d known what a pain in the ass it would be to have an Omega who doesn’t back down in my pack, I’d have—”

“Beaten her into submission?” Asil murmured slyly. “Starved and abused her and treated her like dirt so she would never understand what she was?”

The silence became heavy.

Asil gave Bran a malicious smile. “I know better than that. You’d have asked her to come here twice as fast. It’s good for you to have someone around who doesn’t back down. Ah, the frustrating joy of having an Omega around. I remember it well.” He smiled more broadly when he realized he’d once thought he’d never smile at the memory of his mate again. “Irritating as hell, but good for you. She’s good for Charles, too.”

Bran’s face hardened.

“Anna came to see me,” Asil continued, watching Bran carefully. “I told her she needed to grow up. She signed on for the hard times as well as the bad. She needs to realize that Charles’s job is tough and that sometimes he’s going to need time to deal with it.” That was not exactly what he’d said, but he’d have bet it was what Bran had told her. His Alpha’s blank face told him he was right on target.

“I told her that there was a larger picture that she wasn’t looking at,” Asil continued with false earnestness. “Charles is the only one who can do his job—and that it has never been more necessary than it is now, with the eyes of the world on us. It’s not easy covering up the deaths with stories of wild dogs or scavenger animals eating someone’s body after they died from something else, not anymore. Police are looking for signs that their killers might be werewolves, and we can’t afford that. I told her she needed to grow up and deal with reality.”

The muscle on Bran’s jaw tightened because Asil had always had a talent for imitation—he thought he’d gotten Bran’s voice just about perfect on the last few sentences.

“So she gave up on me,” Asil said, back in his own voice. “She was leaving while I sat content in the smug knowledge that she was a weak female who was more concerned with her mate than with the good of the whole. Which is only what a woman should be like, after all. It really isn’t fair to blame them for it when it inconveniences us.”

Bran looked at him coolly, so Asil knew he’d hit hard with that last remark.

Asil smiled ruefully and caressed the book he held. “Then she told me that it’s been months since he’s made any music, viejito. When was the last time that one went more than a day without humming something or playing that guitar of his?”

Bran’s eyes were shocked. He hadn’t known. He rose to his feet and began pacing.

“It is a necessity,” Bran said at last. “If I don’t send him, then who goes? Are you volunteering?”

It would be impossible; they both knew it. One kill, or maybe as many as three or four, and his control would be gone. Asil was too old, too fragile, to be sent out hunting werewolves. He would enjoy it entirely too much. He could feel the wild spirit of his wolf leap at the chance of such a hunt, the chance of a real fight and the blood of a strong opponent between his fangs.

Bran was still ranting. “I cannot send an Alpha into another pack’s territory without it becoming a challenge that will spawn even more bloodshed. I cannot send you. I cannot send Samuel because my oldest son is even more at risk than you are. I cannot go because I’d have to kill every damned Alpha—and I have no desire to take every werewolf into my personal pack. If not Charles, then who do I send?”

Asil bowed his head to Bran’s anger. “That’s why you are the Alpha and I will do anything I can to never be Alpha again.” He stood up, head still lowered. He caressed the fabric cover of the book and set it down on the table. “I don’t think I really need to read this book again. I have always thought Ivanhoe should have married Rebecca, who was smart and strong, instead of choosing Rowena and what he thought was right and proper.”

Asil left Bran alone with his thoughts then, because if he stayed, Bran would argue with him. This way, Bran would have no one to argue with but himself. And Asil had always credited Bran with the ability to be persuasive.

Bran stared at Ivanhoe. Its cover was a dull blue gray, the weave of the cloth a visible sign of its age. He ran his fingers over the indentations that were the title and the line drawing of a knight wearing sixteenth-century armor. The book had once had a paper cover with an even less appropriate picture on the front. Inside, on the flyleaf, he knew that there was an inscription that he didn’t open the book to find. He was pretty sure Asil had been here long enough to go through the whole damned library to find this book. Charles had given it to him, maybe seventy years ago.

Merry Christmas, it said. You’ve probably read this book a dozen times before. I read it for the first time a couple of months ago and thought that you might take comfort in this tale of the possibility that two dissimilar people might learn to live together—a good story is worth revisiting.

It was a good story, even if it was historically inaccurate and romantic.

Bran took the book and replaced it gently in the bookshelf before he gave in to his impulse to rip it into small pieces, because then he wouldn’t stop until there was nothing left to destroy—and no one could manage him if that happened. He needed Charles to be something he was not, and his son would kill himself trying to be what his father needed.

How long had he lied to himself that Charles would be fine? How long had he known that Anna was right to object? There were many reasons, good, sound reasons, for Bran not to be the one doing the killing. He’d given Asil one of them. But his real reason, his true reason, was more like Asil’s, though that one was more honest about it. How long would it be until Bran started to enjoy the pleading, the suffering, before the kill? He didn’t remember much about the time he let his wolf take charge, though the world still had record of it and it had happened more than ten centuries ago. But some of the memories he did retain were of his terrified victims and the satisfaction their cries had brought him.

Charles would never do that, would never glory in the fear others felt of him. He would never do more than what was needed. A paradox, then. Bran needed Charles to be just what he was—and Charles needed to be the monster his father was to survive it.

The phone rang, saving Bran from his thoughts. Hopefully it was a different problem he could sink his teeth into. Something with a solution.

“I won’t do it,” Adam Hauptman said when Bran called.

Bran paused.

It had surprised him no end when Adam, of all his Alphas, had been the one best suited to deal with the feds. Adam had a terrible temper and not as tight a leash on it as was prudent. For that reason, Bran had kept him back, out of the limelight, for all of Adam’s looks and charisma. But his experience in the military and his contacts as well as an unexpectedly good understanding of politics and political blackmail had turned him gradually into Bran’s most useful political chessman.

It was unlike Adam to refuse.

“It’s not a difficult assignment,” Bran murmured into the phone, holding back the wolf who wanted to insist on instant obedience. “Just an exchange of information. We’ve lost three people in Boston and the FBI thinks it’s connected to a larger case and want a werewolf to consult with. The local Alpha isn’t qualified—and he’s too young to be good at diplomacy when his own people are dying.”

“If they want to fly out here, that will be fine,” Adam said. “But Mercy’s legs aren’t healed and she can’t get around in the wheelchair without help because her hands were burned.”

“Your pack won’t help her?” Icy rage froze his voice. Mercy might be mated to Adam, but to his wolf she would always belong to Bran. Would always be his little coyote, who was tough and defiant, raised by a good friend because Bran couldn’t trust his mate with someone he cared about who was more fragile than his grown sons.

Adam gave a huff of laughter that eased Bran’s ire. “It’s not that. She’s grumpy and embarrassed at being helpless. I had to leave last week on business. By the time I got back, the vampire had to come take care of her because she’d driven everyone else off. I don’t have to listen when she tells me to leave her alone, but everyone else does.”

Pleased at the thought of Mercy ordering around a bunch of werewolves, Bran settled back in his chair.

“Bran? Are you all right?”

“Don’t worry,” Bran said. “I’ll get David Christiansen to do it. The FBI will just have to wait a week or so until he gets back from Burma.”

“That’s not what I was asking,” Adam said. “Volatile is not a word I’d normally apply to you—but you aren’t yourself today. Are you all right?”

Bran pinched his nose. He should just keep it to himself. But Adam . . . He couldn’t talk to Samuel about this; the only thing that would do would be to make his oldest son feel guilty.

Adam knew all the players and he was an Alpha; he’d understand without Bran having to explain everything.

Adam listened without comment—except a snort when he heard how neatly Asil had turned the tables on Bran.

“You need to keep Asil around,” he said. “The rest of them are too intimidated to play games with you—and you need that now and again to keep you sharp.”

“Yes,” said Bran. “And the rest?”

“You have to back off on the death sentences,” Adam said with certainty. “I heard about Minnesota. Three wolves took out a pedophile stalking a third grader with a rope in his hand and a stun gun in his pocket.”

Bran growled. “I wouldn’t have objected except they got carried away and then left his half-eaten body to be discovered the next day before they told their Alpha what happened. If they’d just snapped his neck, I could have let it go.” He pinched his nose again. “As it is, the coroner is speculating all over the papers.”

“If you backed off, Charles wouldn’t have to go out and kill so often, because you wouldn’t have so many Alphas refusing to take care of discipline.”

“I can’t,” Bran said tiredly. “Have you seen the new commercials Bright Future has sponsored? The endangered species hearings are beginning next month. If they classify us as animals, it won’t be just the problem wolves being hunted.”

“We are what we are, Bran. We’re not civilized or tame, and if you force that upon us, it won’t be only Charles who loses it.” Adam let out a breath and in a less passionate voice he said, “In any case, maybe giving Charles a break on other fronts will give him more rest.”

“I’ve freed him entirely from his business obligations,” said Bran. “It hasn’t worked.”

There was a pause. “What?” said Adam carefully. “The business? You’ve turned pack finances over to someone else?”

“He’d already backed away from most of the daily chores of running the corporation; put it in the hands of five or six different people, only one of whom knows that it’s owned by Charles’s family. He does that every twenty years or so, to keep people from noticing that he doesn’t age. I brought in a finance firm to take over the pack’s other holdings, and what they aren’t handling, Leah is.”

“So Charles is doing nothing at all except going out and killing? Nothing to distract him, nothing to dilute the impact. I know I just said he might need a break, but that’s almost the opposite. Do you really think that’s a good idea? He enjoys making money—it’s like an infinitely complicated game of chess for him. He told me once it was even better than hunting because no one dies.”

He’d told Bran that, too. Maybe he should have listened more carefully.

“I can’t give him the finances back,” Bran said. “He’s not . . . I can’t give him the finances back.” Not until Charles was functioning better, because the money the pack controlled was enough to mean power. His reluctance to trust Charles, who had engendered it, made Bran admit, at least to himself, that he’d noticed that Charles was in trouble a while ago.

“I have an idea,” said Adam slowly. “About that task you had for me—”

“I’m not sending him to deal with the FBI,” said Bran, appalled. “Even before . . . this, Charles would not be the right person to send.”

“He’s not a people person,” agreed Adam, sounding amused. “I imagine the last year and more hasn’t helped that any. No. Send Anna. Those FBI agents won’t know what hit them—and with Anna as a cushion, Charles may actually do them some good. Send them in to help as well as consult. One of us can tell the cops a lot about a crime scene that forensics can’t. Give Charles something to do where he can be the good guy instead of the executioner.”

Let him be a hero, thought Bran, his eyes on the Ivanhoe in his bookshelf as he hung up the phone. Asil had been right to point out that there was nothing wrong with a little bit of romance to cushion the harsh realities of life. Adam might have given him the Band-Aid he needed to help his youngest son. He devoutly hoped so.

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***
The Darker Realities of the Paranormal
by Jaye Frances

I’d like to start out with a brief synopsis of The Kure:

John Tyler, a young man in his early twenties, awakens to find a ghastly affliction taking over his body. When the village doctor offers the conventional, and potentially disfiguring, treatment as the only cure, John tenaciously convinces the doctor to reveal an alternative remedy—a forbidden ritual contained within an ancient manuscript called the Kure.

Although initially rejecting the vile and sinister rite, John realizes, too late, that the ritual is more than a faded promise scrawled on a page of crumbling paper. And as cure quickly becomes curse, the demonic text unleashes a dark power that drives him to consider the unthinkable—a depraved and wicked act requiring the corruption of an innocent soul.

Ultimately, John must choose between his desperate need to arrest the plague that is destroying his body, and the virtue of the woman he loves, knowing the wrong decision could cost him his life.

* * * * *

I’ve received lots of questions from readers wanting to know more about the influences and inspiration for the storyline of The Kure. And of course, that leads us directly to the elephant in the room—the ritual described in the ancient manuscript of healing, and the actions taken by Sarah in her efforts to unlock the power of the evil rite. I thought long and hard about the graphic nature of the ritual. Before publication, I actually re-wrote some of it, diluting it, hoping to make it more palatable to the subjective sensitivities of a conservative audience. But it didn’t gel. It didn’t reflect the reality of women’s historical role as a receptacle of convenience. I wanted The Kure, and the ritual specifically, to accurately reflect the medieval belief and practice of a virgin cure—that having sexually-based contact with a female virgin could cure all manner of disease.

My research for the book took me to some very dark places. I read collections of folklore, magic, spells, curses, and books about witchcraft. Some of what I learned motivated me to stock up on nightlights. But my goal was to make the ancient book—the Kure—and the spell associated with John’s malady to be realistically and historically accurate. I wouldn’t say my research was exhaustive, but I can definitely say it exhausted me, particularly from nightmares I experienced as my subconscious processed the stories of exploitation, torture, and brutality utilized by many practitioners of the black arts. But it was worth it. Because so many readers have realized, even before finishing the book, that the specifics of the ritual described in The Kure—including the graphic interpretation by Sarah of the two spells she eventually uses—could have been contained in one of the actual satanic texts used by dark practitioners of the time.

Which brings us to the big question: Could the story have actually happened? You’ll have to wait for the second book in the series, The Karetakers. And then you can decide for yourself.

EXCERPT / The Kure:

Lucius Harwell straightened, crossed his arms, and then looked down. John wondered if the doctor was reconsidering, preparing to change his mind. But Harwell said nothing as he reached out and slowly lowered the window shade. Seemingly oblivious to the unmistakable tremble in his hand, he secured the privacy bolt on the office door. Then with slow, determined steps, he walked to the back of the room and paused in front of a wide, ornately carved bookcase. Sinking to one knee, he scanned the umber leather bindings on the bottom shelf, finally resting his hand on one of the larger volumes. Swiping his thumb back and forth across the spine, he wiped away the dust, as if to be certain of his choice.

Untouched for years, the natural oils in the book’s cover had formed a bond with the adjacent bindings. Bringing both hands to the task, the doctor finally forced the covers to separate with a loud crack. John waited, expecting him to rise and return to his desk, but Harwell remained on the floor, continuing to remove additional books until the shelf was nearly empty.

As the doctor’s arm disappeared into the vacant space, John could see Harwell was reaching beyond the back of the bookcase and into the wall itself. He heard him muttering, cursing under his breath as he fumbled with something inside the hidden cavity, trying to maneuver it out through the narrow opening.

“I’ve got it,” the doctor grumbled as he slowly held up a tattered cloth pouch. Brushing away the dirt and cobwebs, he set to work on the knotted drawstrings. But as large portions of the bag began to separate, he simply pulled the material apart, releasing a bound manuscript from the rotting fibers.

Carrying it with outstretched arms, the doctor moved to the single window at the back of the office, pushed open the glass, and raised the book above the ledge. Taking a quick breath, he blew hard, shooting a mixture of cobwebs and rat droppings into the rear alley. Leaving a swirling haze in his wake, he returned to his desk, where he pushed the loose papers off to the side and carefully set the crimson-cased volume in the very center of the space.

Although still covered with a layer of dust, John could see the book’s blood-red binding was ornately stamped with strange markings, the front cover finely tooled with a border of scrolls and flourishes. In the very center, a single word served as its title:

KURE

While the main part of the cover appeared to be bound with the familiar cowhide common to the rest of the doctor’s library, the outer trim was thinner and nearly transparent. John wondered if the material had been taken not from an animal, but from a different kind of donor.

The doctor scooted his chair back and sat, his full attention seemingly captured by the elaborately detailed cover.

“Are you sure, John?” Harwell asked without looking up. “Are you absolutely sure you want to know this?”

He could hear it in the doctor’s voice—a final chance to turn back, to reconsider his decision to ignore the possible penalties of both law and Church. John answered without hesitation. “Yes. Please.”

Lucius Harwell raised his glazed eyes. “Come over here and lay your hand on the book.”

It seemed like a strange request. John could only assume the doctor wanted him to make some kind of symbolic gesture, acknowledging that his demand to learn from the forbidden script had made him a willing accomplice in breaking the sacred bond of secrecy.

As he placed his palm on the leather—if that’s what it was—John took a closer look at the extravagant design now framing his hand. What he had originally assumed to be symbols were actually bizarre and grotesque figures—creatures clearly not human. Some were portrayed in agony and suffering, while others were shown coupled with naked female forms. Even more sinister was the feel of the book—icy cold, like a solid block of frozen stone.

Although John suspected the large volume had remained undisturbed for years, the cover inexplicably opened as he drew back his hand. The first few pages lifted in the still air, fluttering as if controlled by an unseen presence. Mysteriously, they began to turn, advancing without the influence of human touch, the movement continuing until the text was divided into roughly equal segments.

Seeing the pages move under their own power brought a look of unmistakable fear—but not surprise—to the doctor’s face. He looked up at John, appearing to offer him one last opportunity to escape the consequences of giving life to the ancient passages.

For a limited time, read “The Kure” for only $.99 (kindle version)

I always spend the last few days of December reviewing my writing plan for the coming year—to determine what’s going to receive priority and how I will budget my time to make sure I get it done. During one of those planning sessions, I noticed my husband was also putting a few goals together for the new year. When I asked him to tell me about his “resolutions,” he said that one of them was to read more, especially books that fall outside his favorite genres, “just to see what else is out there.” We began to talk about how many more people are now reading books of all kinds, primarily due to increased availability and choice of low-cost eBooks for the kindle and nook. I often see comments from readers who decided to try a particular author’s work because it was ninety-nine cents, or in some cases, free. Then my husband asked an interesting question: “Why don’t you offer some kind of promotion to encourage more people to read The Kure, with the idea that they’ll be more inclined to read the book if you temporarily lower the price?” I really had to think about this one, but after realizing it might motivate a few more folks who are not familiar with The Kure to take a look, I decided to do it. I’m calling it “Resolve To Read”, and it’s going on right now. The kindle version of The Kure can be purchased for ninety-nine cents on Amazon. So if you were planning on buying a kindle version anyway, why not take advantage of the “Resolve To Read” promotion and save two bucks?

ABOUT THE AUTHOR

Jaye Frances was born in the Midwest and grew up surrounded by traditional values and conservative attitudes (which she quickly discarded). She readily admits that her life’s destination has been the result of an open mind and a curiosity about all things irreverent, and invites visitors to her website with a friendly caveat: “Be forewarned, my life has not followed the traditional path of homemaker, wife, and mother.” When she’s not consumed by her writing, Jaye enjoys cooking, traveling to all places tropical and “beachy” and taking pictures—lots of pictures—many of which wind up on her website. Jaye lives on the central gulf coast of Florida, sharing her home with one husband, six computers, four cameras, and several hundred pairs of shoes. Website | Blog | Goodreads | Facebook Page


Links for The Kure on Amazon and BN: Amazon | BN

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Cynthia Kocialski - Average Kid, Big Dreams, Now What? + Contest

Enter to win A Print copy of Out of the Classroom Lessons in Success!

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Average Kid, Big Dreams, Now What?
By Cynthia Kocialski

Every year, every child is asked by a multitude of people, “What do you want to be when you grow up?” As children grow, what they wanted to be in preschool is completely different from what they want to be in high school. But one thing doesn’t change.

No one ever follows this question by asking how they are going to make this dream a reality. If probed, the answer given will simply be that of continuing one’s studies and this isn’t adequate. If your child wants to be a renowned veterinarian, then studies aren’t enough. Every veterinarian receives the same training, yet some thrive in the profession while others don’t. It’s not the training that makes the difference. It’s something else.

Regardless of your child’s dream, whether it is lofty or down to earth, each and every child wants the same thing. They want their dream to become a reality.

When children are born, parents have no idea what lies ahead for them in the future. As parents we hope, but we don’t know. If a parent is asked about what they want for their children, the usually vague response is health and happiness. But how does anyone achieve happiness, it’s by fulfilling their dreams.

There you have it. Children don’t want their dreams to stay just dreams, and parents want their children to become their dreams so they’ll be happy. But how? A dream is nothing more than a goal. People aren’t suddenly surprised one day and find that they are living their dream. It takes concerted effort to become successful.

Most parents realize that only a rare few have an extreme talent for anything. Somewhere we embraced the notion that those superstars and those most successful are those that are the most talented in the world at something. Is this true? Is there no hope for those who are just average?

Of course not, there is always hope and in fact, the odds of success are actually in their favor. Over my career, what I’ve learned is success in life doesn’t hinge upon having an extreme ability or getting the top grades. There are lots of average people who are highly successful. If talent alone were the determining factor, we wouldn’t see drop outs being billionaires. The biggest corporations would be headed by the alumni of the top universities, and that’s not true either. Scientific breakthroughs would be discovered only by those with the highest IQ’s, and studies have disproved this as well. It seems contradictory. Why is this?

To achieve, it all begins with a change in our mindset as to what is truly required. It starts by accepting that an extreme talent isn’t necessary. It begins by dispelling some of those concepts we learned in school, notions meant to help us learn knowledge, but don’t necessarily hold true for reaching our dreams. In the first chapter, Out of the Classroom Lessons in Success opens with why straight A grades are not required for success. Too many people equate academic success with future professional success, and this book begs to differ. Why average works for success is because it’s not one single talent that matters as much as the combination of qualities. So any one talent simply needs to be ‘good enough’.

There’s a big difference between buying an item and giving it to someone as a gift, and buying it, wrapping it up, putting a bow on it, and presenting it to the recipient in a unique manner – the later just has that WOW factor even if the actual gift is just ordinary. Talent is the same. Package up the average and it becomes successful. Don’t package up the extraordinary and it will get a lackluster reception.

The book further discusses some of those misconceptions and half-truths, which when taken for literal or face value will hinder success. Every school child has heard it, “Good things come to those that wait”. Is this really wise advice if you want to reach your dreams? Shouldn’t it be “Good things come to those that wait, better things come to those that ask, and the best things come to those who go out and get what they want.” Now imagine what would happen in a classroom if children knew more than the opening, could a teacher keep control? Probably not. The classroom would become chaos. However, if you hope to reach your dream, then just sitting quietly and waiting for your dream to be presented to you isn’t a viable strategy. Yet, this is what many people do because this is what they were taught.

If there is any big secret to success, it’s that extreme talent isn’t necessarily required. If there is one big misstep, it’s believing that success hinges upon perfecting a specific talent, to focus and hone that one skill and neglect every other. It’s the combination of talents and skills that make people a success. Wow, that’s a huge shift in thinking, because it means it is possible for just about anyone to be successful.

ABOUT THE AUTHOR

Cynthia Kocialski is the founder of three tech start-ups companies. In the past 15 years, she has been involved in dozens of start-ups. Cynthia writes the Start-up Entrepreneurs’ Blog www.cynthiakocialski.com. Cynthia has written the book, “Out of the Classroom Lessons in Success: How to Prosper Without Being at the Top of the Class.” The book serves up tips, insight, and wisdom to enable young adults and parents of kids to know what it will take to forge a successful career, no matter what their academic achievement.

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Monica M. Brinkman - Why Not Karma? + Contest

Enter to win an eBook copy of The Turn of the Karmic Wheel!

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Why Not Karma?
by Monica M. Brinkman

I pondered what to write when invited to be a guest blogger on Farrahs’ site. After deliberation it became apparent the logical answer...why not Karma?

So what is Karma? We seem to use the word as a fear tactic insuring our goodwill toward others.

Karma simply means - action.

The definition in Hinduism/Buddhism: action, seen as bringing upon oneself inevitable results, good or bad, either in this life or reincarnation.

Many will argue the case of karma occurring exclusively in a next life while others adamantly endorse the idea we will feel karma’s full force as a payback in the same life. What they all have in common is the belief we are accountable for our deeds and actions.

Yet we see greed, self-satisfaction, lust, murder, rape, and mayhem all around us and many of the individuals who carry out these acts seem to get by just fine in life, without retribution in any form. While others, the kind, caring, giving souls, grow poorer, hungrier and more desperate in their quest for survival.

Life may not seem fair but you may rest assured, karma seeks truth.

The millionaire who layed off his entire labor force and shipped it off to China may look to the outward world as if he is showered with riches, yet hidden from view is the cheating wife, the daughter who committed suicide or the lack of any real friendships.

Do I believe in Karma? Absolutely! I’ve experienced it within my lifetime and if you are honest with yourself, you will agree that you also have felt the force of karma. How many have judged another, stating they would never ever do such a thing only to find, under the same circumstances, they reacted the exact way years later?

To me, karma is the ultimate judge and it takes care of the world and universe just fine, thank you. There is no need for me to condemn someone and I am free to be responsible for my actions alone. It is up to each individual to take responsibility for his or her life, never blaming someone else.

In my mind, karma sets you free to be the person you are without apology. I’d fear it if I chose the wrong path in life and embrace it if living through kindness, compassion and care.

Monica M. Brinkman is the author of the newly released novel, ‘The Turn of the Karmic Wheel’, a mixed genre of suspense, horror, the paranormal and spirituality.

EXCERPT from Chapter One, ‘The Turn of the Karmic Wheel’

Harry went to the window and watched his friend walk down the street. He wondered if he should be concerned. For some reason, he felt a bit of uneasiness; just couldn’t put his finger on the why or wherefore. Aw, hell, he reasoned, it ain't none of my business. Yet there was something eating at his mind, a voice telling him to go no further with this transaction. It was a gut feeling he couldn’t shake, a feeling that his friend and neighbor of over 30 years was not ‘quite right’. There was definitely something ‘off the scale’ about Euclid today. A vivid image entered his mind. A vision so unfathomable he had to let it go. Harry shivered as he moved to slowly close the store’s door, continuing to watch the retreating figure kicking stones along the road, unable to shake his feelings of dread.


ABOUT THE AUTHOR

Ms Brinkman, along with Oana host an exciting blogtalkradio show called ‘Two Unsynchronized Souls, that airs every Thursday , 8 PM CST. You may join the live show by calling 213/769-0952. For the schedule shows, click on the below referenced link.

http://www.blogtalkradio.com/monicabrinkmanandoana

Visit Monica’s personal web and blogsite, Meaningful Writings and A Touch of Karma to view articles, short stories, videos, books and inspirations

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Michelle Franklin - Khantara + Contest

Enter to win a PDF copy of Khantara!

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Khantara
by Michelle Franklin

The first standalone novel in the critically-acclaimed Haanta Series:

Khantara is a Haanta conqueror, meant to wage war and rule over the enemy nation of Thellis, but after vanquishing Thellis and occupying a construction of a Haanta outpost, he meets Anelta, a woman enslaved by her own people, bearing a brand of servitude on her neck. Khantara contrives to save her from a cruel home and bring her to the refuge his people can provide, but how can he do so successfully when the eyes of Thellis are upon him?

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EXCERPTS

From Chapter 4

The instant Khantara began to walk the short path to the barracks he was attacked by swarms of wrens and sparrows from the nearby willows, all of them in a flutter to have their turn to speak to the gentle mountain. The owls and nighthawks had taken his evening and now it was only fair that they should have his morning to themselves. He must hear of their new nests and warbling chicks and horrid neighbors, and they were going to claims their perches on his head and shoulders and tell him whether he wished to listen or to ignore them accordingly. He would listen, however; the quick and nervous conversation of the sparrows was often one-sided and he was therefore required to do nothing but allow them to nest in his hair and continue walking. The wrens, however, were lest content to permit him to be indifferent: they would have him hear of every rude caterpillar and impudent butterfly flitting around trees they knew to be theirs. Theirs was a talk of territory, and they would have Khantara understand their plight. It was wrong of the caterpillars to climb their trees and enter theirnests, and it was so devious of them not to be edible though their bright colours and squirming movements were so enticing. How horrendous it was that the bustle and brilliancy of the butterflies’ wings should be so fascinating. They could hardly capture the creatures to feed to their chicks with such a violent display of beauty. Would only Khantara tell the caterpillars to taste more agreeable, the obnoxious moths to make their cocoons somewhere else, and the owls to leave the worms alone when there was mice enough for them. Khantara, however, would say nothing to the purpose. He only smiled and shook his head at the wrens, and their loud and intricate trills conveyed their indefatigable displeasure toward the giant’s infuriating civilities. He would let nature go its own way, and the birds could do little to convince him otherwise. The wrens threatened to claim strands of the giant’s long molded locks for their nests if he did not comply, but he would not regard their threats as any so troublesome. He simpered at their attempts and silently declared that they could not break his draping tendrils no matter how hard they should try when the giant suddenly found himself at the barracks.

From Chapter 8
Original lineart by Twisk


"She hoped, and did not hope, that what he wished to show her were in a more precarious place, but she realized that in welcoming the giant to her home, she would have to brook watching him remove his cloak. She had a slender idea of what she should discover there; she had felt his form when she fell against him and hardly found what she felt to be disagreeable. He waswarrior, unlike the Thellisian guardsmen she had learned to fear and avoid, and with a companion so colossal and foreboding, she could only conjecture as to what her husband might say upon seeing such a creature in his household. She had some apprehensions on the side of inviting him in; though she lived in the home, it did not belong to her, nor was any possession within its walls hers, but he had been so obliging and forthcoming with her, she could not very well allow him to remain outside the boundaries of the small disheveled gate. As they came to the path that led to the house, she regarded the giant’s features- his scarred skin, his yellow and black eyes, his broad and rounded shoulders- and confessed that she found everything to admire in his aspect. He may not have been absolutely handsome to some, but to her, he was striking. His manner, too, was to handsome and his air so prepossessing and kind- she checked before she could step closer to him due to some unconscious conjuration, but before she had hindered her deliberation, there was a momentary notion of her being hismate. She knew it was little more than a most impossible aspiration, for she was already bound to one, but yet she was beginning to prefer another: one who had openly professed himself her keeper and one who had sworn to remain at her side until the mate more errant should return home. She chided herself for wanting the one she so feared to remain in town for a few days more that she and the giant might spend as much time as was possible under one another’s auspices before the dreaded husband should revisit and all her hopes of flight and salvation diminish with his arrival."

ABOUT THE AUTHOR

I am a small woman of moderate consequence who writes many, many epic fantasy books involving giants, romance, and chocolate. I'm a rather boring woman in life, but that only gives me permission to be more interesting on the page. I'm meant to be read and not seen anyway. I am also excessively sarcastic, but never serious, and I do my utmost to be as quiet and polite as possible when being forced to leave the commons. I adore people, but am not fond of the public. Such is an author's burden: to be a hermit and a crone, blessed with all the joys of unquietness.

AUTHOR WEBSITE


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